“The excellent Antonia Grove… is a voice in the dance theatre world that is worth listening to.”
Lyndsey Winship, Time Out London (on Running on Empty)
“You can’t take your eyes off her…this is one woman who deserves to be seen”
**** Evening Standard
“One of the most inspired endings I have seen for years”
**** Fringe Guru
“mesmerising … the complexity of her auditioning/performing/being real left me disorientated and exhilarated”
Total Theatre Review
“It is virtually impossible to take your eyes off Grove… this mistress of disguise will set your pulses racing”
Bristol Culture
“Recommended, especially for anyone interested in boundary-blurring dance-theatre pinned to new writing”
The Times
“Taut, funny and acidly unsentimental, this is the kind of work that new British dance does best”
The Observer
“Simple, clever, hilarious”
The Times
“A deadpan ditziness worthy of the young Katharine Hepburn”
Daily Telegraph
“Slick, stylish and sexy, Probe are right on the money”
Metro